Entry tags:
001 | Video
[ The scene set is that of a living room. It does not appear to have been lived in much, no trinkets on shelves or the table, and no pillows set up on the couch. The video is static for a long moment before the Outsider appears on screen in a wash of black smoke and shining pieces of onyx. He's set himself up in the center of the couch, on the back of it, his feet planted on the cushion. His hands are folded together as he leans forward. There's a twinkle of amusement in his beetle-black eyes. ]
Have you ever heard the tale of Empress Emily Drexal Lela Kaldwin, first of her name? [ No response? No problem. He's going to tell it to you anyway. ] A child born to take the throne, she grew up privileged. She learned about the world from a distance and when people killed her mother and stole her throne, her father took up sword to take it back for her. [ He disappears in a wisp, reappearing further from the camera. The distance has no effect on the loudness of his voice. He gestures widely with his arms. ] Her father returned the throne to her and though she tried to be the Empress her mother once was, she lost sight of what was important: the voices of her people.
Another came for her throne while she was blinded, a woman who had been born in the hole and clawed her way out to the top, and that woman took it with blood. If only Emily had paid attention. If only she spent a little less time on the rooftops of her city or in the arms of her lover. If, if, if. [ Again, he disappears, this time appearing to lean against the left arm of the couch. He shakes his head. ] She took up sword, same as her father. She took on my mark, same as her father.
But do you think she managed to get her crown back? Could she do it as bloodlessly as her father? [ A quiet chuckle in the back of his throat. ] Or would she be as ruthless a killer as her betrayers?
It's a tale that can end in so many different ways.
Have you ever heard the tale of Empress Emily Drexal Lela Kaldwin, first of her name? [ No response? No problem. He's going to tell it to you anyway. ] A child born to take the throne, she grew up privileged. She learned about the world from a distance and when people killed her mother and stole her throne, her father took up sword to take it back for her. [ He disappears in a wisp, reappearing further from the camera. The distance has no effect on the loudness of his voice. He gestures widely with his arms. ] Her father returned the throne to her and though she tried to be the Empress her mother once was, she lost sight of what was important: the voices of her people.
Another came for her throne while she was blinded, a woman who had been born in the hole and clawed her way out to the top, and that woman took it with blood. If only Emily had paid attention. If only she spent a little less time on the rooftops of her city or in the arms of her lover. If, if, if. [ Again, he disappears, this time appearing to lean against the left arm of the couch. He shakes his head. ] She took up sword, same as her father. She took on my mark, same as her father.
But do you think she managed to get her crown back? Could she do it as bloodlessly as her father? [ A quiet chuckle in the back of his throat. ] Or would she be as ruthless a killer as her betrayers?
It's a tale that can end in so many different ways.

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The phone drops from her hand, and after a strained pause, she jabs at it with the tip of her boot hard enough to send it skittering across the floor. ]
Is this how you celebrate that everyone can see and hear you now? [ The empress demands of the empty air, eyes blazing with anger. ] Show yourself!
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He appears to her in a flash, arms held out as if to pacify her righteous anger. ]
Did I say something wrong? [ As if he doesn't know. ]
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Why did you say all that to - everyone? [ She asks quietly, still nearly seething. ] What do you have to gain from telling them about me?
[ It puts her at a disadvantage, as he well knows. He must know. Is this a test? If not, then - what? ]
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[ What? He's had his eye on her since childhood, since Jessamine's death by the hands of Daud. She had dreams of him but not dreams, visits. Every person he has Marked in his long term as representation of the Void has all led to this point.
He is the cause of all of Emily Kaldwin's suffering, if only just by granting his Marks. He can never look away from this family now. ]
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[ Can you see how much she appreciates the public endorsement?? ]
I was a child. I - [ She cuts off, nearly embarrassed. ] ... I never thought Mother would stop ruling Dunwall.
[ What good were lessons when she'd thought that Jessamine would live forever to watch over the empire? To watch over Emily? ]
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At her admittance, he appears closer to her, not out of comfort but rather curiosity, as it always seems to be. ]
You must have known that all good things come to an end, even back then. The moment you lost her, you lost most of your childhood, too. You took a throne while clinging to things of the past and lost sight of the future. It is not something to be ashamed of. It is... human.
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I knew, but I didn't want to admit it. [ She doesn't like him saying she'd lost sight of the future, but she doesn't deny it, either. ] What Corvo had to teach me was more interesting than my lessons.
[ It was easy, back then, to pin her excuses on the Royal Protector. It's still easy to do so now. ]
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action; want to wrap up?
action; yeah, sure!
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Still, let it never be said that Cole doesn't try.]
A fear and a feeling, fallen and faded forever. Are you singing songs that don't belong to you?
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[ And... that's just how it is? There's no changing the way all the threads, in the end, come together to end everything; all the timelines, all divergences, they all end the same way.
Emptied into the Void, swallowed by some great blackness. ]
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What is it you are? [ Cole, this stranger, sounds as if he tangles himself in the world and those tangles are hard for him to word. Does he feel things? Is that what it is? Or is he a god, like the Outsider, tied to the world and something far beyond? ]
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Still, there's much here that draws the man's attention, enough to even garner a reply in the form of a video feed. All is said with a smile.]
A stolen throne, a consequence of a most treacherous-sounding betrayal. How can it be that spite would not guide this Empress' hand? It certainly would mine.
[(Already has, perhaps.)]
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I think that's what would guide most. In part, it guided the Empress' own but perhaps her journey shall temper her fire and into something sharp, but understanding? Perhaps she shall turn wise through the things she must witness and do to return herself to the throne?
But she could just as well slaughter every man and woman in her way. I've seen many do that. [ An almost bored drawl. ] I've seen few tread the harder route.
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Perhaps I'm biased. [Ah, a shrug of broad shoulders.]
Tell me, which are you hoping for? The way of understanding and mercy? Or vengeance?
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I hope for that which is most interesting. Those who tread the path without shedding blood are the most impressive of mine, but I cannot deny that pure emotional vengeance isn't, at the very least, a fascinating display of their humanity. They get boring the most quickly, however.
[ Sometimes, though rare, they will find a way to catch his eye again, either through change of heart (always a surprise for him) or garnering power beyond what he'd given. ] As long as I have lived, it's those who cause less chaos that I will always return to.
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You call them yours? [That does elicit a noise of amusement from him, from the back of his throat.] And who are you to make that claim?
[Despite the words, it hardly has the tone of an accusation. More a lingering curiosity.]
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I watch them the most.
[ Yeah, that's not creepy at all, Outsider. No. Not. at. all. ]
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And well....."It's a tale that can end in so many different ways."
That's something Chara has a lot of experience with.]
I suppose it depends on the Empress herself. Dose she feel that for taking her throne by blood, does the other woman deserve to suffer or be given mercy? And, more importantly, if she is ready to face the consequences of her choices across her journey.
[You're never above them, whether you were an Empress or a child. That hasn't changed, back in their own world and in Hadriel.]
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At the start of her journey, she wasn't yet ready to face her consequences, but eventually, weeks of her harrowing journey taught lessons that were unignorable. But perhaps there's a timeline that exists where she chooses the bloodier option. Where she takes back her throne with death.
An ending like that, though, isn't one I care much for.
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[Or, in Chara's experience in Hadriel, you're just...so angry at what you've learned. Even if it was not the logical or right choice it didn't matter at the time.
He says 'timelines' in a way that implies it may be like their own.]
You are not fond of the endings that end with a blade and d...blood? What kind of endings do you like?
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[ When he gives his Mark, all he expects is change. Good change, bad change. Change is change and it all leads them to the future where the world will be devoured. ]
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Sparing Monsters were much harder.]
I suppose you are right. But what of those who find the middle ground between blades and words? What then?
[Chara learned of the 'good' ending they could have but had no desire to claim for themselves. It also rendered every other ending they earned as nothing but dust in the wind. Where those endings even worth it?]
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